Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

I included Radiohead remixes by Panzah Zandahz, if your into your hip-hop you might like it

Radiohead was one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. But the band internalized that epic sweep, turning it inside out to tell tortured, twisted tales of angst and alienation. Vocalist Tho Yorke's pained lyrics were brought to life by the group's three-guitar attack, which relied on texture — borrowing as much from My Bloody Valentine and Pink Floyd as R.E.M. and Pixies — instead of virtuosity

1993 - Radiohead - Pablo Honey



http://hotfile.com/dl/56004851/51f6602/Radiohead_-_Pablo_Honey.rar.html


1995 - Radiohead - The Bends



http://www.filesonic.com/file/1737769681/R_-_TB.rar


1997 - Radiohead - OK Computer



http://www.filesonic.com/file/64961157/R_-_OC.rar


2000 - Radiohead - Kid A



http://www.filesonic.com/file/64960917/Radiohead_-_Kid_A.rar


2001 - Radiohead - Amnesiac



http://hotfile.com/dl/56671596/7ba17c0/Radiohead_-_Amnesiac.rar.html


2001 - Radiohead - I Might Be Wrong (Live Recordings)



http://www.filesonic.com/file/1737751241/Radiohead_-_I_Might_Be_Wrong.rar


2003 - Radiohead - Hail to the Thief



http://www.filesonic.com/file/64944602/Radiohead_-_Hail_To_The_Thief.rar

2007 - Radiohead - In Rainbows



http://www.filesonic.com/file/1737745291/Radiohead_-_In_Rainbows.rar


Unknown - Radiohead - Remixes



http://www.filesonic.com/file/64961355/Radiohead_-_Remixes.rar

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"Nirvana may have been the band that put an entire generation in flannel, and Pearl Jam and Soundgarden both sold a lot more records, but Mudhoney were truly the band that made the '90s grunge rock movement possible. Mudhoney were the first real success story for Sub Pop Records; their indie-scene success laid the groundwork for the movement that would (briefly) make Seattle, WA, the new capital of the rock & roll universe; and they took the sweat-soaked and beer-fueled mixture of heavy metal muscle, punk attitude, and garage rock primitivism that would become known as "grunge" to the hipster audience for the first time, who would in turn sell it to a mass audience ready for something new"
-AMG

Mudhoney - Mudhoney



http://rapidshare.com/files/107124060/Mudhoney_-__Mudhoney.rar


Mudhoney - Superfuzz Bigmuff



http://rapidshare.com/files/107120926/Mudhoney_-_Superfuzz_Bigmuff.rar


Mudhoney - Every Good Boy Deserves Fudge



http://rapidshare.com/files/107127310/Mudhoney_-_Every_Good_Boy_Deserves_Fudge.rar


Mudhoney - My Brother the Cow



http://rapidshare.com/files/107133028/Mudhoney_-__My_Brother_the_Cow.rar


Mudhoney - Under a Billion Suns



http://rapidshare.com/files/107117367/Mudhoney_-_Under_A_Billion_Suns.rar

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"Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. The Pixies weren't accomplished musicians — Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie guitar rock, classic pop, surf rock, and stadium-sized riffs with singer/guitarist Black Francis' bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture; while the meaning of his lyrics may have been impenetrable, the music was direct and forceful. The Pixies' busy, brief songs, extreme dynamics, and subversion of pop song structures proved one of the touchstones of '90s alternative rock. From grunge to Brit-pop, the Pixies' shadow loomed large — it's hard to imagine Nirvana without the Pixies' signature stop-start dynamics and lurching, noisy guitar solos. While the Pixies were touted as the band to bring indie rock into the mainstream, they simply laid the groundwork for the alternative explosion of the early '90s"
-AMG

1987 - Pixies - Come on Pilgrim EP



http://rapidshare.com/files/233718763/Pixies_-_Come_On_Pilgrim.rar


1988 - Pixies - Surfer Rosa



http://rapidshare.com/files/233762064/Pixies_-_Surfer_Rosa.rar


1989 - Pixies - Doolittle



http://rapidshare.com/files/233891893/Pixies_-_Doolittle.rar


1990 - Pixies - Bossanova



http://rapidshare.com/files/233288196/Pixies_-_Bossanova.rar


1991 - Pixies - Trompe le Monde



http://rapidshare.com/files/233786605/Pixies_-_Trompe_Le_Monde.rar

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Indie rock takes its name from "independent," which describes both the do-it-yourself attitudes of its bands and the small, lower-budget nature of the labels that release the music. The biggest indie labels might strike distribution deals with major corporate labels, but their decision-making processes remain autonomous. As such, indie rock is free to explore sounds, emotions, and lyrical subjects that don't appeal to large, mainstream audiences — profit isn't as much of a concern as personal taste (though the labels do, after all, want to stay in business). It's very much rooted in the sound and sensibility of American underground and alternative rock of the '80s, albeit with a few differences that account for the changes in underground rock since then. In the sense that the term is most widely used, indie rock truly separated itself from alternative rock around the time that Nirvana hit the mainstream. Mainstream tastes gradually reshaped alternative into a new form of serious-minded hard rock, in the process making it more predictable and testosterone-driven. Indie rock was a reaction against that phenomenon; not all strains of alternative rock crossed over in Nirvana's wake, and not all of them wanted to, either. Yet while indie rock definitely shares the punk community's concerns about commercialism, it isn't as particular about whether bands remain independent or "sell out"; the general assumption is that it's virtually impossible to make indie rock's varying musical approaches compatible with mainstream tastes in the first place. There are almost as many reasons for that incompatibility as there are indie-rock bands, but following are some of the most common: the music may be too whimsical and innocent; too weird; too sensitive and melancholy; too soft and delicate; too dreamy and hypnotic; too personal and intimately revealing in its lyrics; too low-fidelity and low-budget in its production; too angular in its melodies and riffs; too raw, skronky and abrasive; wrapped in too many sheets of Sonic Youth/Dinosaur Jr./Pixies/Jesus & Mary Chain-style guitar noise; too oblique and fractured in its song structures; too influenced by experimental or otherwise unpopular musical styles. Regardless of the specifics, it's rock made by and for outsiders — much like alternative once was, except that thanks to its crossover, indie rock has a far greater wariness of excess testosterone. It's certainly not that indie rock is never visceral or powerful; it's just rarely — if ever — macho about it. As the '90s wore on, indie rock developed quite a few substyles and close cousins (indie pop, dream pop, noise-pop, lo-fi, math rock, post-rock, space rock, sadcore, and emo among them), all of which seemed poised to remain strictly underground phenomena

Afghan Whigs - Gentlemen







Artic Monkeys - Whatever People Say I Am, That's What I'm Not





Blur - The Best of Blur







Dinosaur Jr. - You're Living All Over Me





Happy Mondays - Pills 'n' Thrills and Bellyaches





http://hotfile.com/dl/61445612/97c279c/I-_TON.rar.html


The Jesus and Mary Chain - Psychocandy





Joy Division - Unknown Pleasures






LCD Soundsystem - LCD Soundsystem











Manic Street Preachers - The Holy Bible






My Bloody Valentine - Loveless






Oasis - Definitely Maybe







Pavement - Slanted & Enchanted





Pixies - Surfer Rosa






Primal Scream - Screamadelica




Pulp - Different Class








R.E.M - Automatic for the People








Radiohead - OK Computer





Razorlight - Up All Night





Sebadoh - III








Smashing Pumpkins - Siamese Dream







Sonic Youth - Daydream Nation





The Cure - Disintergration






The Libertines - Up the Bracket






The Smiths - The Queen Is Dead










The Strokes - Is This It







The Verve - Urban Hymns










The White Stripes - Elephant




Yo La Tengo - I Can Hear the Heart Beating as One







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"Without question the most intelligent, artistic rap group during the 1990s, A Tribe Called Quest jump-started and perfected the hip-hop alternative to hardcore and gangsta rap. In essence, they abandoned the macho posturing rap music had been constructed upon, and focused instead on abstract philosophy and message tracks"

-AMG

A Tribe Called Quest - People's Instinctive Travels and the Paths of Rhythm


A Tribe Called Quest - The Low End Theory


A Tribe Called Quest - Midnight Marauders

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